Ever wondered what would happen if you took Bram Stoker’s legendary vampire tale and put it into a blender with Mel Brooks, Monty Python, and The 39 Steps? That’s just what happens in this lightning-fast, laugh-out-loud, 90-minute, gender-bending romp. When her sister Mina falls ill with a mysterious disease of the blood, Lucy Westfeldt and her fiancé, Jonathan Harker, enlist the help of famed female vampire hunter Doctor Jean Van Helsing. Their hunt for the dangerous and sexy Count Dracula abounds with clever wordplay and quick-change antics.

Scurius, the patriarch of a family of gray squirrels, has collected enough nuts to last ten winters. When a group of starving fox squirrels begs him to share his hoard of food, animosity erupts into a ferocious war. The Squirrels – written by Tony-Award-nominee Robert Askins – is a boundary-pushing, darkly satirical look at wealth inequality in which no creature comes out unscathed. 

Daniel MacIvor’s The Best Brothers is a bittersweet dark comedy about grief, family rivalry, and unexpected love. After their eccentric mother, Bunny Best, dies in a bizarre accident at a Gay Days parade, estranged brothers Kyle and Hamilton reunite to arrange her funeral and settle her affairs. Forced to care for Bunny’s beloved Italian greyhound, Enzo, the brothers confront years of unresolved resentment, jealousy, and differing memories of their mother.

As they navigate obituary writing, funeral preparations, and awkward family dynamics, their sibling rivalry intensifies, revealing deeper insecurities about love, success, and who mattered most to their mother. Through sharp humor and emotional honesty, the play explores the complicated ways people grieve and reconnect after loss.

A psychological thriller, JOB zooms in on two careerists of different generations, genders and political paradigms to examine what it means to be a citizen of the internet and our obligation to help the people who need it most.

Heidi Schreck’s Grand Concourse is a compassionate and sharply funny drama set in a Bronx soup kitchen run by Shelley, a dedicated nun experiencing a crisis of faith and emotional exhaustion. When Emma, a passionate but unpredictable college dropout, arrives as a volunteer, her chaotic energy disrupts the fragile balance of the kitchen and the lives of those who depend on it.

As Shelley grows increasingly attached to Emma despite warning signs of instability and deception, the play explores difficult questions about charity, trust, forgiveness, and the emotional cost of caring for others. Through the interactions of Shelley, Emma, maintenance worker Oscar, and a longtime homeless patron named Frog, the play examines the limits of compassion and the complicated motivations behind acts of service.